The 1998 edition, 42 Up, was broadcast on BBC One but was still produced by Granada Television. The premise of the film was taken from the Jesuit motto "Give me a child until he is seven and I will give you the man". From 7 Plus Seven until 63 Up the films were directed by Michael Apted, who had been a researcher on Seven Up! and was involved in finding the original children, with Gordon McDougall. The first film in the series, Seven Up! (1964), was directed by Paul Almond, and was commissioned by Granada Television as a programme in the World in Action series. There has been no confirmation that the series is concluded in the aftermath of Apted's death, but there is also no current plan to film a "70 Up" entry for 2026 with a new director. Apted is reported to have said, "I hope to do 84 Up when I'll be 99" however, he died in 2021. A special episode featuring celebrity fans of the series, 7 Up & Me, also aired on ITV in 2019. The union leader and the business executive of the year 2000 are now seven years old." The most recent instalment, the ninth, titled 63 Up, premiered in the UK on ITV in 2019. The aim of the continuing series is stated at the beginning of 7 Up as: "Why did we bring these together? Because we wanted a glimpse of England in the year 2000. Īfter Almond's direction of the original programme, director Michael Apted continued the series with new instalments every seven years, filming material from those of the fourteen who chose to participate. but he was more interested in making a beautiful film about being seven, whereas I wanted to make a nasty piece of work about these kids who have it all, and these other kids who have nothing. About the first programme, Apted has said: The first instalment was made as a one-off edition of Granada Television's series, World in Action, directed by Canadian Paul Almond, with involvement by "a fresh-faced young researcher, a middle-class Cambridge graduate", Michael Apted, whose role in the initial programme included "trawling the nation's schools for 14 suitable subjects". The children were selected for the original programme to represent the range of socio-economic backgrounds in Britain at that time, with the expectation that each child's social class would determine their future. Individual films and the series as a whole have received numerous accolades in 1991, the then-latest instalment, 28 Up, was chosen for Roger Ebert's list of the ten greatest films of all time. The series has been produced by Granada Television for ITV, which has broadcast all of them except 42 Up (1998), which was broadcast on BBC One. The documentary has had nine episodes-one every seven years-thus spanning 56 years. The first film was titled Seven Up!, with later films adjusting the number in the title to match the age of the subjects at the time of filming. The Up series of documentary films follows the lives of ten males and four females in England beginning in 1964, when they were seven years old.
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A critical point to consider is that if the Harmony Server is on Windows, only Windows clients are supported. Harmony Server can be used with Windows, Mac and Linux operating systems. White Paper: Harmony and Your IT Department If you do not have an IT department or someone who knows the network technology thoroughly, contact your sales representative at Toon Boom to organize an installation with our consulting department. The person who performs the installation should have the knowledge and expertise required for setting up and configuring networks, computers, and operating systems. If you are not yet familiar with, you should get in touch with your sales contact at Toon Boom to organize a needs analysis of your studio and production in order to make the best of and optimize your production pipeline. To perform a custom installation which fits the studio’s requirements, a proper analysis of the studio is required, such as: the type of project, the productivity expected, and the delivery date, etc. There are multiple ways of installing Harmony, as well as numerous types of hardware that can work with Harmony. This document should be taken as a guide to help you understand the preliminary steps before performing a typical Harmony installation. The client machines simply run the software and allow the members of your team to work on your production.īefore installing, refer to the Harmony and Your IT Department white paper to learn about the network prerequisites for a Toon Boom Harmony installation. The assets can be stored on the database server, or spread across different storage servers as required. The server holds the database and manages access to its assets by users. Harmony Server is a server-client configuration model allowing multiple users to work on a production together. Tablet performance may be slower on Linux than on other platforms with the same specifications. Note that Bamboo tablets are not supported on Linux.Note that disabling the default video driver and installing the proprietary driver for your video card is required.Harmony daemons (database server, batch processing, etc.) require SysV, which is supported by CentOS and RedHat Enterprise Linux, but not by all GNU/Linux distributions.Harmony may not run or work properly on other distributions.Minimum: Intel Iris Pro Graphics 6200 1536 MB.4K monitors with scaling up to 200% supported.Recommended: Intel Core i7, Xeon or better.The following requirements are for users of Harmony Stand Alone and client workstations of Harmony Server takes advantage of a fast multi-core CPU, high RAM capacity and high-end video cards. NOTE An Internet connection is required to activate the animation software. These were built by the New Zealand Railway workshops, in Hutt Valley, with a Ford 3/4 or 1-ton truck chassis, plus amor plates salvaged from Port Bowen and Mokoia moored hulls. A local production version known as the Beaverette NZ appeared and was rapidly built. Armor was simple and conversion quite fast, which helped secure high numbers (3,000) in no time. These improvised armored cars, called Standard Car 4×2, Car Armoured Light Standard, and better known as the Beaverette, were built upon a Standard Motor Company chassis and engine. With the same idea of local improvisation, “Beaverette” armored cars were imagined in the United Kingdom in the most desperate times in the summer of 1940 by Lord Beaverbrooke, then minister of aircraft production. It was clear to anyone then in the ministry and the general staff that Great Britain could not divert any of its war production, direly needed elsewhere, to New Zealand. This led to the creation of the well-known “ Bob Semple tank“, an improvisation which acted more as a morale booster than a real means of defeating attacking forces. Under sheer panic in face of the swift conquest of South-East Asia and the South pacific by the Imperial Japanese Forces, defence minister Robert Semple organized an embryo armored force with whatever means available. Despite its solidarity with Great Britain, new Zealand itself was ill-equipped locally to sustain a local assault by a major power, which turned out to be Japan after December 1941. The RNZN received a few British destroyers which it used in several campaigns. Early on, in December 1939, its only cruiser, HMNZS Achilles, engaged the Graf Spee. Later, personnel was sent to the RAF and the Royal Navy, before local forces could be mustered, the RNZAF, which operated in Europe and elsewhere. New Zealand declared war alongside Britain, and started mobilization in late 1939. In total, 100,000 fought out of a population of one million, and 16,697 New Zealanders were killed and 41,317 wounded, an astonishing 58% of all troops engaged, making New Zealand the country with the highest casualty-and death-rates per capita of any warring nation. Another famous unit, the New Zealand Mounted Rifles Brigade, distinguished itself in Palestine. There was a gradual military training and after service, and all men could be still gathered as a militia.ĭuring WWI, the New Zealand Expeditionary Force was deployed at Gallipoli, alongside the Australians as part of the ANZACS, were they forged, through all their pain and suffering, a part of the Kiwi national identity. However, through the Defence Act of 1909, the old volunteer system was replaced by an age-based territorial defense which amounted to thirty thousand men. Prior to WW2, where New Zealanders fought with distinction in many theaters of operations, previous interventions included the Boer War (1899), under the direction of Major Alfred William Robin, where ten contingents were mobilized and sent, mostly mounted riflemen providing their own equipment.
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